The first time I heard this was in the summer of 1994. I was a summer music minister at the First Baptist Church of Old Homosassa, FL. One of the senior adult members there, Mr. Munn, let me borrow this VHS tape. It was the first Gaither Homecoming tape. Many of these singers were struggling to make ends meet when Bill Gaither brought them together. They were reintroduced to the public and ended not only financially sound but with some dignity.Here is Doris Akers (composer of “Sweet, Sweet Spirit”) singing “Sweet Jesus.”
Music Monday: Jubilee Stomp by Tuba Skinny
Recorded in New Orleans 04/10/2018
Shaye Cohn – Cornet
Erika Lewis – Drum/Vocals
Todd Burdick- Tuba/Sousaphone
Robin Rapuzzi – Washboard
Jason Lawrence – Guitar
Max Bien Kahn – Banjo
Greg Sherman – Guitar/Vocals
Barnabus Jones – Trombone
Ewan Bleach – Clarinet
Music Monday: He Will Hold Me Fast (Gettys)
Music Monday: Lauren Daigle– Trust in You (Live)
What a marvelous song of encouragement!
Music Monday: “Armando’s Rhumba”
Chick Corea and Gary Burton have some fun on the marimba with one of Corea’s compositions, “Armando’s Rhumba.” What makes this so much fun is that the audience did not know of Corea’s skills on the marimba, for he made his mark on the piano. Gary Burton, however, is a master marimba player.
This is how music should be–fun!
Music Monday: “Gone Home” by the Hee Haw Gospel Quartet
Some of you like me remember the show Hee Haw. One of the segments on the show was when the gang would get together and sing an old gospel song. Here we have, from left to right, Tennessee Ernie Ford, Grandpa Jones, Roy Clark, and Buck Owens.
Music Monday: A Little Bach to Start Your Week
This past Wednesday, March 21, Johann Sebastian Bach turned 333 years old. Of course, he actually died in 1750, but no matter.
His Brandenburg Concerto #3 is my all-time favorite piece of music. Performed by the Frieberger Barockorchester in March 2000.
Music Monday: Keith Green “Dear John Letter (to the Devil)”
Keith Green live at the Daisy Club in Los Angeles, 1982. Enjoy!
Hymn: Hail Thee, Festival Day
Hail thee, festival day!
Blest day that art hallowed forever;
day when our God ascends
high in the heavens to reign.
Lo, the fair beauty of earth,
from the death of the winter arising,
every good gift of the year
now with its Master returns.
Daily the loveliness grows,
adorned with the glory of blossom;
heaven her gates unbars,
flinging her increase of light.
Christ in his triumph ascends,
who hath vanquished the devil’s dominion;
gay is the woodland with leaves,
bright are the meadows with flowers.
Christ overwhelms the domain
of Hades and rises to heaven;
fitly the light gives him praise–
meadows and ocean and sky.
Loosen, O Lord, the enchained,
the spirits imprisoned in darkness;
rescue, recall into life those
who are rushing to death.
So shalt thou bear in thine arms
an immaculate people to heaven,
bearing them pure unto God,
pledge of thy victory here.
Jesus, the health of the world,
enlighten our minds, thou Redeemer,
Son of the Father supreme,
only-begotten of God!
Equal art thou, co-eternal,
in fellowship ay with the Father;
in the beginning by thee
all was created and made.
And it was thou, blessèd Lord,
who discerning humanity’s sorrow,
humbledst thyself for our race,
taking our flesh for thine own.
Words: Venantius Fortunatus (530-609);
trans. Percy Dearmer, 1906
A Joyful Sound That’s Doctrinally Sound Where Skills Abound and Praise Resounds
“I like the hymns! I grew up with them! They are part of the heritage and the heritage of the Church—and they alone should be sing in worship.”
“I like the choruses and the modern worship songs. We are called to sing to the Lord a ‘new song’—and these new songs with the modern sounds are what should be sung to reach this generation.”
Conversations like this abound in the American evangelical church over this issue. Writers have spilled much ink over this topic—usually under the umbrella of the topic of ‘worship wars.’ The hymns vs. choruses debate raged in the 1980’s and 1990’s—and seems to have died down a bit, thankfully. (When I brought up the topic of hymns and choruses, one man in our church confessed that he had no idea what I was talking about—he made no distinction! How happy I was!)
I grew up in the church heavily involved in traditional music ministry (choir, orchestra, piano/organ-backed congregational hymn singing, etc.). I even earned a bachelor’s and master’s degree in church music (B.S., Palm Beach Atlantic University; Master of Church Music, Southern Baptist Theological Seminary) and was a music minister for 10 years before God called me into the pastorate.
A joyful sound. Yes, I am starting with attitude. Musical skills are important (and I will address them soon), and doctrine is crucial, but if you want people to listen to what you sing, sing what you sing with joy! The axiom “they won’t care how much you know until they know how much you care” applies to this area as well. Do we care about what we sing—or do we act as if we could care less? Is it any wonder that the Psalms are filled with admonitions and encouragements to sing for joy (Psalm 95-100)?
… that’s doctrinally sound … Here we examine the actual content of a song. Is the song doctrinally sound and Scripturally bound? Sadly, fewer and fewer look at the words they are singing but simply to the singability and rhythm exclusively—and whether they can get them into an emotional ‘state’ worship. Paul instructed Titus to “teach what accords with sound doctrine” (Titus 2:1). One of the main functions of worship music is to teach about the glory of God and the gospel of our Lord Jesus. Having certain emotions is not the main desire, but truth should be the fuel to those emotions. The joy comes from knowing that what we are singing about (and, more importantly, Who we are singing about) is true!
… where skills abound … Skills? Am I saying that all worship leaders need to sing like Michael Buble? Play guitar like Christopher Parkening? Play drums like Buddy Rich? Piano like Horowitz? No, not at all. What I am saying is that the Psalmist implores those leading God’s people in worship to “Sing to him a new song; play skillfully on the strings, with loud shouts” (Psalm 33:3). When David was organizing the musicians for leading worship in the Temple, he gathered “all who were skillful” (1 Chronicles 25:7) in various instruments to lead. Granted, this is relative. Not everyone has equal skills, but everyone can offer the skills they have as an offering of praise to God.
… and praise resounds. What a witness it is to lead people to praise the living God who sent His Son for our justification! To think how Christ bore the wrath of God toward our sin upon His shoulders to satisfy as a propitiation so we would not have to face the penalty that was due us. What mercy and grace! To this, we offer that sacrifice of praise. We have come full circle.